A-sharp Chorus 25th Anniversary Concert
Concert Date: November 15, 2025
Program
Honored Guest Performers
特邀嘉宾
女中音方丽娅简介
女中音方丽娅为原中央歌剧院演员。八, 九十年代於该院参演了十个演出季，并曾出访香港，澳
门, 日本，芬兰等地。九十年代移居美国，先后进修於旧金山音乐学院和圣荷西州立大学声歌系。
之后与美国剧院签约角色，包括：圣荷西歌剧院，太平洋歌剧院，旧金山金门歌剧院，圣塔克
拉拉城市使命剧院,·西湾歌剧院，圣荷西交响乐团等。曾作为主角在比才的歌剧《卡门》中饰
演卡门，并参演了《蝴蝶夫人》，《浮士德》，《魔笛》，《土尔其人在意大利》，《凯撒大
帝》等，作为领唱参演了硅谷爱乐合唱团的莫扎特《安魂曲》, 清羽合唱团的《海外游子吟》，
《禹王治水》，《大风歌》和《补天》。
党伟光教授简介
著名男中音歌唱家，声乐教育家。Ohlone College 声乐教授。美国华人艺术界联盟副主席。
2000年应加州州立大学邀请进行学术交流，并举办独
2002入读伊立诺州蜜里肯大学艺术学院，曾受邀于市立歌剧院及芝加哥抒情歌剧院参演多部歌剧，并且担任主要角色。曾因主演唐尼采第的歌剧<唐.帕斯夸勒>被当地英文报刊誉为是演譯唐．帕斯夸勒第一流的演员. 曾与美国斯坦福大学交响乐团,圣河塞歌剧院交响乐团，西太平洋歌剧院交响乐团，芝加哥抒情剧院交响乐团等合作，2017年任斯坦福大学加州国际音乐比赛声乐评委，曾入选欧洲出版的《当代华人》杂志人物介紹。2010年國際音像出版社發行歌剧＂假面舞會＂选曲《是你玷污了我的靈魂》2012年中国音樂家協會出版社出版歌曲《腾飞》。
梁嘉雯老师是一位女高音声乐表演者及音乐教师，毕业于美国旧金山州立大学（San Francisco State University）声乐表演系，师从 Dr. Lee Strawn 与 Christine Brandes。专长于钢琴演奏与歌剧诠释，曾在《Medea》与《Die Fledermaus》等歌剧中担任主要角色，展现出细腻的音乐表现力与丰富的舞台经验。目前专注于声乐与钢琴教学，积极培育音乐人才，并持续活跃于表演艺术领域。
Ms. Carmen Liang is a soprano vocalist and music educator. She graduated from the Vocal Performance Department at San Francisco State University, studying under Dr. Lee Strawn and Christine Brandes. Specializing in piano performance and operatic interpretation, she has played leading roles in operas such as Medea and Die Fledermaus, showcasing her refined musical expressiveness and extensive stage experience. She is currently dedicated to teaching voice and piano, actively nurturing musical talent, and continues to be engaged in the performing arts scene.
Dr. Junhong Zhou, a violinist from Guiyang, China, began studying at age four and trained at the Sichuan and Shanghai Conservatories. He held a full-time position with the Guiyang Symphony Orchestra, performing internationally with artists such as Sarah Chang and Kun Woo Paik. After moving to the U.S. in 2017, he earned his Master’s and Doctor of Musical Arts degrees in Violin Performance. A former associated concertmaster of the Southeast Iowa Symphony, he now teaches and performs in the San Francisco Bay Area.
Zijing Gu is a software engineer by day and a casual violin player by night. She grew up learning violin and still enjoy playing it whenever she can.
《Ave Verum Corpus》
《圣体颂》
This piece originates from a 14-century Catholic hymn, originally a Latin prayer sung during the consecration of the Eucharist in the Mass. British composer Ben Parry arranged it into a contemporary choral work, whose serene and flowing melody praises the compassion of Christ and the radiance of humanity.
这是一首起源于14世纪的天主教圣歌， 原为拉丁文祈祷文，常在弥撒中圣体祝圣仪式（圣餐礼）时演唱。英国作曲家Ben Parry将其改编为现代合唱作品，以宁静流动的旋律，颂扬基督的慈爱与人性的光辉。
Ave verum corpus,
natum de Maria Virgine.
Vere passum, immolatum
in cruce pro homine.
Cujus latus perforatum
fluxit aqua et sanguine.
Esto nobis praegustatum
in mortis examine.
O Jesu dulcis, O Jesu pie, O Jesu fili Mariae.
Miserere mei, miserere mei, miserere mei.
Amen, amen, amen, aman.
万福，真实的圣体，
由童贞女玛利亚所生。
你确实为人类受难，
被钉死在十字架上。
你的肋旁被刺透，
流出血与水。
愿你在我们临终之时，
成为永生的甘露与安慰。
《Zigeunerleben》（Gypsy Life ), Op. 29, No. 3
《吉普赛人的生活》
Composed by Robert Schumann in 1837, “Zigeunerleben” is one of Schumann’s early choral works, set to a poem by Emmanuel Geibel. The piece depicts a group of gypsies gathered around a campfire at night, singing and dancing beneath the forest canopy – a vivid image of freedom, nature, and joy that captures the Romantic imagination.
这首《吉普赛人的生活》是德国作曲家罗伯特.舒曼于1837年创作的合唱作品，选自他的作品集《三首合唱曲》（Op.29)。诗人埃马怒埃尔.盖贝尔的歌词描写了一群吉普赛人夜晚在森林中围着篝火歌唱，跳舞的情景，展现了浪漫主义时期人们对自由与自然的向往。
在浓密和翠绿的树荫底下，是什么在响动，是谁在说话？
那闪动的火焰，放射出光芒，照亮岩石，树叶和彩色衣裳。
那是一群流浪的自由茨冈人，有卷曲的头发和闪亮的眼，尼罗河的流水曾哺养他们，西班牙的阳光曾晒黑他们。
在青绿的草地上围在熊熊的沟火旁，男人们勇敢健壮，妇女们都正在准备做晚餐，把古老的酒杯全斟满了酒。
有人讲着故事，有人唱着歌，唱西班牙花园里鲜花千万朵。
那年老的妇女对周围的人轻轻念着咒语来消除灾祸。
黑眼睛的姑娘全都跳起舞, 那红色的火花也一起欢舞。
那吉他的声音多么引诱人，那跳舞的人们越来越欢腾！
当她们疲倦了才肯去休息, 那树叶的响声陪她们入睡。
这些离开了自己家乡的人，在梦中也看见那幸福故乡。
当美丽的夜晚从地上消失，当朦胧的早晨从东方醒来，那马车的声音又带走他们。
有谁能够知道他们去哪里？
《The Snow》
《雪》
Composed by Sir Edward Elgar (1857-1934) in 1894 for a female chorus, two violins, and piano. The Snow features a text by Elgar’s wife, C. Alice Elgar. Through gentle melodies and luminous harmonies, the piece evokes the calm purity of falling snow–an image of serenity and grace.
《The snow》是英国浪漫主义作曲家爱德华.埃尔加于1894年创作的一首女声合唱作品，后来改编为混声合唱版本。歌词出自他的妻子 C. Alice Elgar 之手，描写飘雪覆盖大地的宁静景象，并借“雪”象征纯洁与心灵的平和。音乐以温柔的旋律，轻盈的节奏展开，仿佛雪花缓缓飘落。钢琴和小提琴的伴奏营造出晶莹的质感与流动感。
O snow, which sinks so light,
Brown earth is hid from sight,
O soul, be thou as white as snow!
O snow, which falls so slow,
O heart, so keep thy glow,
Beneath the snow
O snow, in thy soft grave
Sad flow’rs, sad flow’rs the winter brave;
O heart, so soothe and save, as does the snow.
The snow must melt, must melt, must go,
Fast, fast, fast, fast as water flow.
Not thus, my soul, not thus, my soul,
O sow thy gifts to fade like snow,
Not thus, not thus,
O sow, not thus thy gifts to fade, to fade like snow.
O snow, thou’rt white no more,
Thy sparkling, sparking too, is o’er;
O soul, be as before,
Was bright, be as before,
Was bright, the snow.
O soul, be as before,
Was bright the snow,
Then as the snow, as the snow all pure,
O heart be, but endure,
Not as the snow, not as the snow.
啊，轻轻飘落的雪，
将褐色的大地掩藏不见，
啊，灵魂啊，愿你如雪般洁白。
啊，缓缓落下的雪，
啊，心啊，请守护你的温暖，
在雪之下，依然闪光。
啊，在你柔软的雪被里，
那些忧伤的花儿勇敢地度过寒冬；
啊，心啊，请安抚与拯救，
如同那雪一般温柔。
雪终将融化，终将消逝，
飞快地，飞快地，如流水般离去。
但啊，灵魂，不要如此，
不要让你的恩赐像雪一样消散；
不要如此，不要如此，
不要让你的美德像雪那样凋谢，消融。
啊，雪啊，你不再洁白，
你的闪光也已消逝；
啊，灵魂啊，请回到最初的光明，
如那曾经闪耀的雪。
啊，灵魂啊，请如从前那样纯净，
如那雪般明亮，
然而啊，心啊，请坚守，
不要像那雪—转瞬即逝。
《Rise, Shine!》
《起来， 发光， 把荣耀归给上帝!》
“Rise, Shine!” is a traditional African American Negro spiritual, passed down through generations during the era of slavery in the American South. It expresses a deep yearning for light, freedom, and divine deliverance amid hardship. In this modern arrangement by Marques L. A. Garrett and Tom Trenney, the music bursts with rhythmic vitality, gospel energy, and heartfelt conviction. Its call to “rise and shine’
becomes both a cry of faith and a celebration of hope — a radiant symbol of resilience and spiritual triumph.
这是一首源自美国南方的传统黑人灵歌。原曲由奴隶时期的非裔美国人世代传唱，表达他们在苦难中对光明与自由的渴望。改编者 Marques L.A. Garrett与Tom Trenney为这首歌赋予了现代合唱的新生命。音乐以强烈的节奏，热情的呼喊和信仰的力量为核心, 象征灵魂从黑暗中“升起, 闪耀”，迎向希望与救赎的光。
Oh, oh, rise, shine!
For the light is a-com-in’;
Rise, an’ shine!
My Lord says he’s com-in’ by an’ by.
Rise, shine! For the light is a-com-in’;
My Lord says he’s com-in’ by an’ by.
Oo, my Lord says he’s com-in by an’ by.
Until I reach that mountaintop,
My Lord says he’s com-in’ by an’ by.
Oh, rise, shine!
For the light is a-com-in’;
My Lord says he’s com-in’ by an’ by.
Rise, an’ shine!
哦, 起来吧, 闪耀吧！
因为那光正在到来; 我的主说, 他将要来到。
《家乡》
《Hometown》
选自过客作词、阿镗作曲的合唱组曲《海外游子吟》。作品以质朴的语言和深沉的旋律，倾诉海外游子对故乡的深切思念与对人生历程的深刻感悟。全曲情感真挚，意境悠远，余韵绵长。
This is part of the choral suite songs of “Overseas Wanderers”, lyrics by Guoke and music by A Tang. It captures the quiet longing of those who live far from home. Through gentle, heartfelt melodies and simple yet moving words, it reflects on distance, memory, and the enduring bond between a wanderer and the place they once called home. The music unfolds with warmth and depth, leaving a lingering sense of tenderness and reflection.
【朗诵】哪個游子不思念家乡？哪怕是落地生了根，哪怕是嘴上說“不想＂，终有个中宵梦醒、明月当窗、酒入愁肠！
【歌词】要住多少年，才称得上家乡?
要吃多少苦，才算得了”历尽风霜”?
要走多少路，才能够说”水远山长”?
梦中寻觅的，就是家乡；
梦也难寻时，就是历尽风霜；
回乡的路，水远山长。
[Recitation]: Who long been away from home are not homesick?
Even if he’s settled down in another town;
Even if he says ‘No, I’m not” or holds his tongue;
His homesickness will keep him up at night;
Drowning in wine, while the bright moon pierces through the window.
[Lyric]: How long must one live in a place, before it can be called “home”?
How many sufferings must one endure, before it is regarded as “experience”?
How far must one travel, before it is considered a “journey”?
It is my hometown that I search for in my dream;
When the dream becomes vague, then it means I’ve settled down.
The journey back home is far and long.
《越陌度阡》
《On Country Road》
选自过客作词、陈乐昌作曲的清唱剧《大风歌》,《越陌度阡》以古典意象与现代抒情手法相融合，描绘了刘邦在登基为皇帝之后回归故乡的场景。歌曲通过音乐与诗意的语言，呈现故乡田园的宁静与温暖，同时蕴含历史的厚重感。整首作品在古典意象的现代重构中，将刘邦归乡的历史画面展现得庄重而生动，使听众在悠远的旋律中感受到温暖与历史的共鸣。
From the cantata “The Song of Great Wind”, lyrics by Guoke and music by Lechang Chen. “On Country Road” weaves together classical imagery and modern lyrical expression, depicting the scene of Liu Bang returning to his homeland after ascending to the throne. Through music and poetic language, the song evokes the serenity and warmth of the countryside, while conveying a sense of historical depth.
噫！几多挂牵？
几多思念？
几多依恋？
故乡田园，故乡山川，
故乡田园，故乡山川，几度梦中相见？
越陌度阡，
看鸦栖社林，
风动酒帘。
越陌度阡，
喜望中户户炊烟，
春满胸间，春满胸间。
越陌度阡…
Ah! How much caring?
How much longing?
How much affection?
The fields of my homeland, the rivers and mountains,
The fields of my homeland, the rivers and mountains—only in dreams we meet again and again!
Crossing the fields,
I see crows perched around the village grove,
The wind stirs the tavern’s hanging curtains.
Crossing the fields,
Amid joyful hopes, smoke rises from every household,
Spring fills my chest, spring fills my chest.
Crossing the fields…
《凤之歌》
《Song of the Phoenix》
选自过客作词、黄安伦作曲的清唱剧《补天》。《凤之歌》以凤凰为意象，描绘混沌天地中对光明的渴望与守望。“丹凤朝阳，凤鸣九天”, 却找不到栖身之所，象征光明缺席与秩序破碎。旋律清亮而抒情，传递在黑暗中呼唤希望的坚定信念。
From the Cantata “Patch the Sky”, Lyrics by GuoKe and music by Anlun Huang. The “Song of the Phoenix” portrays the phoenix as a symbol of hope and resilience amid a chaotic world. Through its lyrical and expressive melody, the piece conveys the steadfast call for light and renewal in the face of darkness. It serves as an emotional and spiritual bridge, leading into the cantata’s climax where Nüwa restores order to the world.
丹凤朝阳，丹凤朝阳，凤鸣九天。
找不到可栖的梧桐。。。
怎甘心与乌鸦为伴，与乌鸦为伴？
没有光，也不能歌颂黑暗；
没有亮，便只向女娲轻唤，轻唤。
丹凤朝阳，凤鸣九天。
找不到可栖的梧桐，
怎甘心与乌鸦为伴？
没有光，也不能歌颂黑暗；
没有亮，便只向女娲轻唤。
(合）丹凤朝阳，凤鸣九天。
The phoenix greets
Day’s light with song.
The darkness shrouds her Wutong tree,
With crows is not where she belongs.
Absent the sun, she can’t sign in the honor of the darkness.
Absent light, she must tell Nuwa what’s wrong.
[all] The phoenix greets the sun, its song echoes through the heavens.
《孳孳》
《Song of Life》
选自过客作词、鲍元恺作曲的清唱剧《禹王治水》，通过诗意画面与哲思，探讨生命的起源与延续。开篇“万年前从何处来？百代后向何处去？”提出对时间与生命的沉思，“孳孳不已，生生不息”贯穿全曲，象征生命不息。歌词从隔山隔海的凝望到斗转星移、王朝兴替，再到晨雾、草叶、婴儿的生命细节，勾画出宏大而温暖的画卷。作品通过文字与音乐的互动，营造出沉静深远而充满希望的听觉体验，让听众感受到生命的连续、尊严与希望。
From the cantata “King Yu”, lyrics by Guoke and music by Yuankai Bao. “Song of Life” explores the origin and continuity of life through poetic imagery and reflective thought. Opening with the questions, “Where were we thousands of years ago? Where will we be generations later?”, the song sets a contemplative tone. The recurring line, “unceasing, life goes on,” underscores the enduring and resilient nature of life.
【朗诵】治水禹王中土传，西洋也曾出圣贤。劫波难了人长久，各样文明共家园。
啊。。。
万年前从何处来？
百代后向何处去？
孳孳不已，生生不息。
隔着山你望着我，
隔着海我望着你。
孳孳不已，生生不息。
看不尽斗转星移，
数不清王朝兴替。
几回回神驰长天？
一辈辈身贴大地。
孳孳不已，生生不息。
晨雾遮住远处的硝烟，
晨风送来婴儿的娇啼；
晨雾滋润伸展的草叶，
草叶拥抱初放的晨曦。
生命本就是奇迹，
尊严在你我心里。
孳孳不已，生生不息。
把和平写上长天，
把挚爱播向大地。
啊，孳孳不已，
啊，生生不息。
Where were we thousands of years ago?
Where will we be generations later?
Mankind thrives by procreation.
Life goes on in spite of calamities.
You are looking at me over the mountains.
I am gazing at you across the ocean.
Mankind thrives by procreation.
Life goes on in spite of calamities.
Constellations constantly rotate one after another.
Countless dynasties replace one another.
Time and again human beings appeal to the heavens;
Generation after generation our lives are rooted in the Earth.
Morning mists block the gun smoke.
Morning breezes bring the cry of a baby.
Morning dew nourishes the budding grass;
The grass embraces the first rays of the morning sun.
Life is a miracle;
Dignity lies in the hearts of you and me.
Mankind thrives by procreation.
Life goes on in spite of calamities.
We inscribe peace in the sky;
We spread our love all over the Earth.
Mankind thrives by procreation;
Life goes on in spite of calamities
《清羽轻扬》
《A-sharp Flying as A Feather》
《清羽轻扬》是由本团资深团员过客先生作词，陈乐昌老师作曲的清羽合唱团的团歌。
歌词主要表达了清羽合唱团的追求，以及对自己的期许。 “引商刻角” , 最初见于汉朝的一位大学问家刘向的《新序》。刘向用这四个字来形容歌者技巧的高超.
“A-sharp Flying as A Feather” is the Anthem of Qing-Yu Choir. The lyrics were written by Qing-Yu veteran member Guòkè and composed by Lechang Chen. The lyrics convey the Qing-Yu Choir’s pursuit of musical ideals and their hopes for continual self-growth.
刻角引商， 清羽轻扬
风来八面， 铉歌一堂
刻角引商，清羽轻扬，风来八面
刻角引商，清羽轻扬，铉歌一堂
带着微笑唱，含着眼泪唱
唱难舍的青春，唱不熄的梦想，
不熄的梦想，梦想，梦想
应千载丝竹，和万顷海浪
清羽托起歌声，清羽随爱颉颃
应千载丝竹，和万顷海浪
清羽托起歌声，清羽随爱颉颃
清羽轻扬
《蒲公英》
《Dandelion》
潘行紫旻作曲的《蒲公英》是他的合唱套曲《花的诉说》中的一个乐章，受复旦大学Echo合唱团的委约而创作。《蒲公英》描绘了蒲公英随风起飞的意象，象征着人生的迷茫、无奈与彷徨，是情感和思绪的最终归属和延续。潘行紫旻凭借这部合唱套曲于2018年获得了美国艺术奖（The American Prize）合唱作曲第一名，使其成为他的代表作之一。
The song “Dandelion”, composed by Pan Xingzimin, is a movement within his Choral Suite “Flower’s Narrative”. “Dandelion” illustrates the image of the dandelion seeds taking flight on the wind, symbolizing the confusion, helplessness, and hesitation in life, serving as the final destination and continuation of emotions and thoughts. Pan Xingzimin won First Place in Choral Composition at “The American Prize” in 2018 for this choral suite, making it one of his representative works.
飞，轻轻飞，风吹我过这座山, 风吹我过这片水，
飞，慢慢飞，这座山这片水，不知何时归？
飞，轻轻飞，看不清点点灯火，只听见潺潺溪水。
飞，慢慢飞，静夜里人安睡，有谁伴我飞？
忽然风停，我飘落你身旁，多想长留此处，
结束漫漫旅途，无奈风再起，带我离开大地，飞向未知方向。
白云在脚下来回，清风是我的翅膀，
飞，随风飞，渐行渐远飞扬，
那座山那片水，只有在梦里回，只有梦里回。
《这世界那么多人》
《Empty World》
歌曲《这世界那么多人》的创作背景是为电影《我要我们在一起》创作主题曲。作词人王海涛在看了小说和剧本后深受感动，创作出“这世界那么多人，多幸运，我有个我们”的歌词，并因此邀请了莫文蔚演唱这首歌曲。监制陈国富认为这首歌之所以感人，是因为它讲述了爱情中两人相遇的概率极小，而这份缘分非常珍贵。
The song “Empty World” was originally created as the theme song for the movie “I want us to be together”. The lyricist, Haitao Wang, was deeply moved after reading the novel and script, leading him to write the line: “So many people in this world, how lucky I am that we have us.” This sentiment inspired him to invite Karen Mok to perform the song. The producer, Kuo-Fu Chen, believes the song is so moving because it speaks to the extremely low probability of two people meeting in a relationship and how precious this fate is.
这世界有那么多人
人群里 敞着一扇门
我迷朦的眼睛里长存
初见你蓝色清晨
这世界有那么多人
多幸运 我有个我们
这悠长命运中的晨昏
常让我 望远方出神
灰树叶飘转在池塘
看飞机轰的一声去远乡
光阴的长廊 脚步声叫嚷
灯一亮 无人的空荡
晚风中闪过 几帧从前啊
飞驰中旋转 已不见了吗
远光中走来 你一身晴朗
身旁那么多人
可世界不声 不响
这世界有那么多人
多幸运，我有个我们
这悠长命运中的晨昏
常让我 望远方出神
灰树叶飘转在池塘
看飞机轰的一声去远乡
光阴的长廊 脚步声叫嚷
灯一亮 无人的空荡
晚风中闪过 几帧从前啊
飞驰中旋转 已不见了吗
远光中走来 你一身晴朗
身旁那么多人
可世界不声 不响
笑声中浮过 几张旧模样
留在梦田里 永远不散场
暖光中醒来 好多话要讲
世界那么多人
可是它不声 不响
这世界有那么个人
活在我 飞扬的青春
在泪水里浸湿过的长吻
常让我 想啊，想出神。。。
《Baba Yetu》
《我们的天父》
“Baba Yetu” is a stunning choral work composed by Christopher Tin, originally written as the opening theme for the video game “Civilization IV”. Its lyrics are a Swahili translation of the Lord’s Prayer, blending sacred text with vibrant African rhythms and harmonies. The song’s rich orchestration and uplifting melody express a universal message of faith, gratitude, and unity. With its fusion of classical and world-music elements, Baba Yetu transcends language and culture, inviting all who hear it to celebrate life and connection.
这是一首由作曲家 克里斯托弗·廷（Christopher Tin） 创作的壮丽合唱作品，最初作为电子游戏《文明IV》的主题曲。歌词采用了东非通用语 — 斯瓦希里语版的主祷文（The Lord’s Prayer），将传统基督教祷词与非洲音乐的热情节奏相融合。这首作品以恢弘的合唱与强烈的打击乐，展现了人类共同的信仰与希望。其旋律高亢动人、节奏富有力量，象征着和平、感恩与团结。
Baba yetu, yetu uliye mbinguni, yetu, yetu amina.
Baba yetu, yetu uliye, jina lako litukuzwe.
Utupe leo chakula chetu, tunachohitaji.
Utu samehe makosa yetu, hey!
Kama nasi tunavyowasamehe waliotukosea.
Usitutie katika majaribu, lakini utuokoe.
Na yule muovu, milele! Amina!
Ufalme wako ufike, utakalo lifanyike duniani kama mbinguni.
Amina. Milele na milele, nakusifu.
我们的父啊， 愿人尊你的名为圣
您赐予我们今日的饮食
求您赦免 我们的罪责
拯救我们吧！你是永恒的！
愿您的国度建成，顺从您的旨意
行在地，如在天，阿门！
《Sing Gently》
《轻柔地歌唱》
This is a choral work born out of the challenges of the COVID-19 pandemic, composed by Eric Whitacre. It calls for compassion, kindness, and human connection in a time of physical separation. Though the language is simple, its message is profound — to sing gently, as one, in support and unity. Its musical texture guides singers and listeners toward a shared space of warmth, solace, and collective voice.
这首歌由现代作曲家 Eric Whitacre 所创作，是在全球 COVID-19 疫情期间应时而作的合唱作品。它呼唤人与人之间的温柔、同理与连接，鼓励我们在隔离与分离中，仍能用歌声相互扶持与安慰。这首歌语言质朴、旋律柔和，却充满力量，它以“轻柔地歌唱”为核心主题，希望我们的歌声能像风一样轻柔却有温度，在时空中回响、连接人与人。
May we sing together, always
May our voice be soft
May our singing be music for others
And may it keep others aloft
Sing, sing gently, always
Sing, sing as one
May we stand together, always
May our voice be strong
May we hear the singing and
May we always sing along
Sing, sing gently, always
Sing, sing as one
Singing gently as one
愿我们永远同声歌唱，
愿我们的声音轻柔温暖；
愿我们的歌声成为他人的音乐，
愿它托起他人的心灵与希望。
轻轻地唱，轻柔地唱，直到永远，
让我们齐声歌唱，融为一体。
愿我们永远并肩而立，
愿我们的声音坚定而洪亮；
愿我们聆听那歌声，
并永远与之共鸣、同唱。
轻轻地唱，轻柔地唱，直到永远，
让我们齐声歌唱，融为一体，
轻柔地，同声歌唱。
《Rasa Sayang》
《爱的感觉》
“Rasa Sayang” (literally “Feeling of Love”) is one of the most cherished folk songs from the Malay Archipelago, shared among Indonesia, Malaysia, and Singapore. With its joyful melody and playful rhythm, the song celebrates affection, friendship, and the human connection that transcends distance and time. The phrase “rasa sayang” combines two Malay words: rasa, meaning feeling or emotion, and sayang, meaning love, dear, or affection. Together, they express a deep warmth of heart — the gentle kindness that binds people together.
这是马来群岛最具代表性的民谣之一，深受印度尼西亚、马来西亚和新加坡人民的喜爱。它以欢快的旋律和轻快的节奏，歌颂着人与人之间的情感、友情与关怀，传递出超越国界与时空的温暖。“Rasa Sayang” 由两个马来语词组成：“rasa”意为“感觉”或“情感”，“sayang” 意为“爱”、“亲爱的”或“温情”。这两个词合起来，表达了发自内心的温柔与真挚的人情味。
Rasa sayang, eh!
爱的感觉啊！
Rasa sayang sayang, eh!
多么甜蜜的爱意啊！
Eh, lihat nona jauh,
当我从远方看见你，
Rasa sayang sayang, eh!
心中满溢着深情与思念！
Anak semilang di tapak tangan,
手中滑走那条小鱼，
Pucuk pauh delima batu.
犹如芒果嫩芽与红石榴花；
Hilang di mata di hati jangan,
纵然不在眼前，仍不离心间，
Sungguh jauh di negeri satu!
就算你远在他乡天涯。
Lenggang lenggang kangkung,
轻轻摇曳的空心菜，
Kangkung tepi telaga.
在那清凉的池塘边；
Mari melangkong,
我们慢慢走，一起走，
Melangkong ke Singapura!
一路漫步到新加坡！
Singapura!
新加坡啊！
Mari ke Singapura!
来吧，一起到新加坡！
Rasa sayang, eh!
爱的感觉啊！
Eh, lihat nona jauh,
纵然相隔万里，
Rasa sayang sayang, eh!
思念依然不减——
Rasa, rasa sayang!
这份爱永不消逝！
《I Love You / What a Wonderful World》
《 我爱你 / 多么美好的世界》
“I Love You / What a Wonderful World” is a tender and inspiring choral arrangement by Craig Hella Johnson, weaving together “I Love You” with the timeless classic “What a Wonderful World.” The piece begins intimately, expressing personal love and human connection, then gradually expands into a luminous affirmation of hope, beauty, and peace. Through rich harmonies, flowing piano lines, and interwoven choruses, Johnson transforms these two songs into one continuous expression of gratitude — a celebration of love that embraces the whole world. It’s a work that moves from the individual to the universal, from “I love you” to “What a wonderful world”, reminding us that every act of love reveals the world’s inherent beauty.
这首歌由Craig Hella Johnson编曲，将《I Love You》和 经典名曲《What a Wonderful World》巧妙融合。这首合唱作品以细腻的抒情开场，表达人与人之间真挚的“我爱你”，随后无缝过渡到赞美世界之美的旋律，形成情感的升华。从亲密到广阔，从个人的爱到对生命的感恩，整首曲子展现了人性中最温柔的希望与信仰。柔美的和声、流动的钢琴，以及双合唱的呼应，使这首作品充满灵魂与温度。它既是一首爱情的歌，也是一首对世界的祈祷，提醒我们：在爱中，世界更加美好。
We can be together now, and forever; I love you, I love you.
And when I’m praying, I hear him saying, “I love you, I love you.”
People all over the world, they’re opening up, they’re coming around,
and they’re saying, “I love you, I love you.”
I see skies of blue and clouds of white,
Bright，blessed day and dark，sacred night;
And I think to myself,
“What a wonderful world.”
The colors of the rainbow,
So pretty in the sky,
are also on the faces of people going by.
I see friends shaking hands saying, “How do you do?”
They’re really saying, “I love you, I love you.”
I hear babies cry, I watch them grow;
They’ll learn much more than I’ll ever know,
And I think to myself, “what a wonderful world, wonderful world,
What a wonderful world.”
我们现在可以在一起，直到永远；我爱你，我爱你。
当我祈祷时，我听见祂在说：“我爱你，我爱你。”
全世界的人们，他们正在敞开心扉，他们开始靠近彼此，并在说：“我爱你，我爱你。”
我看见蓝色的天空，洁白的云彩，
明亮而蒙福的白昼，神圣而宁静的黑夜，
我心中默想着：
这是一个多么美好的世界。
彩虹的色彩，
在天空中多么绚丽，
也映照在人们经过时的脸庞上。
我看见朋友们握手问候：“你好啊! ”，
其实他们在说：“我爱你，我爱你。”
我听见婴儿的哭声，看着他们成长，
他们将学到的，比我一生所知的还要多。
我心中默想着： 这是一个多么美好的世界，
多么美好的世界，多么美好的世界。
《Hallelujah Chorus》
《哈利路亚大合唱》
The “Hallelujah Chorus” is one of the most iconic and uplifting choral masterpieces ever written. Composed by George Frideric Handel in 1741 as part of his oratorio Messiah, it expresses the triumph and glory of divine kingship through majestic harmony and resounding joy. The chorus appears at the end of Messiah’s second part, celebrating Christ’s resurrection and eternal reign. With its powerful repetition of “Hallelujah” — meaning “Praise the Lord” in Hebrew — Handel’s music captures an overwhelming sense of awe, gratitude, and spiritual exultation. Throughout history, audiences around the world have stood in reverence when the“Hallelujah Chorus” is performed — a tradition said to have begun when King George II himself rose to his feet upon hearing it. Today, it remains a timeless anthem of faith and celebration, uniting singers and listeners alike in joyful praise.
这首歌是音乐史上最具震撼力和感染力的合唱作品之一。它由George Frideric Handel 于1741年创作，收录在他的清唱剧《弥赛亚》（Messiah）中，用庄严雄伟的和声赞美上帝的荣耀与永恒的统治。这首大合唱出现在《弥赛亚》第二部分的结尾，象征着基督复活与永恒的国度。反复高唱的“哈利路亚”（意为“赞美主”）充满力量与激情，展现出信仰中的喜悦、感恩与崇敬。相传在首演时，英国国王乔治二世被音乐的壮丽所震撼，情不自禁地起立致敬，从此观众在演出时起立的传统便延续至今。时至今日，《哈利路亚大合唱》依然是信仰、希望与欢庆的象征，以其永恒的旋律将世界各地的人们连结在一起，共同颂扬生命与荣耀。
Hallelujah! For the Lord God Omnipotent reigneth.
Hallelujah! For the Lord God Omnipotent reigneth.
Hallelujah! The kingdom of this world is become
the kingdom of our Lord, and of His Christ;
and He shall reign forever and ever,
King of Kings, and Lord of Lords.
Hallelujah! King of Kings, forever and ever,
Hallelujah! And Lord of Lords, forever and ever,
Hallelujah! King of Kings! and Lord of Lords!
And He shall reign forever and ever.
Hallelujah!
哈利路亚！因为全能的上帝掌权了！
哈利路亚！因为全能的上帝掌权了！
哈利路亚！
这世界的国，已成为，
我主和祂基督的国；
祂要作王直到永永远远，
祂要作王直到永永远远，
万王之王，万主之主。
哈利路亚！
万王之王，直到永远，哈利路亚！
万主之主，直到永远，哈利路亚！
万王之王！万主之主！
祂要作王直到永永远远。
哈利路亚！